I did not have the chance to attend the latest ESA’s Living Planet Symposium so I was curious to read Olivier’s report. The picture in his post shows a crowded room… but what stroke me most is that it looks like 90% of the people in the room are middle-age men. There is no public […]
=>Le projet SPOT5 (Take5) vient de publier une nouvelle version des données SPOT5 (Take5) de niveau 2 pour corriger un petit nombre de petits défauts détectés lors du premier traitement : +
=>The SPOT5 (Take5) project just released a new version of all SPOT5 (Take5) L2A data to account for several small issues encountered during the first processing :
=> Note : the apihub is only accessible for those of you who submitted an account before the 21st of December. As a result, it is much easier to download the Sentinel- products at CNES PEPS facility. To access the data within PEPS, I have written a similar program to the one described below . The Sentinel […]
As promised, the SPOT5 (Take5) L2A data acquired before the 3rd of June have just been uploaded to https://spot-take5.org The file format for both Level 1C and Level 2A is available here.Some explanations on how the the distribution server works is available here.
Cool ! Sentinel-2 first images are visible on ESA site.
ESA and CNES are glad to announce they just opened the new distribution site for SPOT4 (Take5) and SPOT5 (Take5) with a brand new look and feel compared to the previous SPOT4 (Take5) site. All the SPOT4 (Take5) data are available and may be downloaded, but the SPOT5 (Take5) site is almost empty (except for […]
=> I had sometimes used the following home made logo for SPOT (Take5) experiments : the Paul Desmond standard is indeed based on a 5 beat rhythm, which is symbolized by the « 5 » on the time signature of the music score. The number 4 means that the beat corresponds to quarter notes. But the 4 […]
=> Attention, ce post contient des termes techniques J’avais utilisé parfois le logo suivant et tout à fait artisanal pour Take5 : le morceau Take5 de Paul Desmond est en effet un morceau sur un rythme à 5 temps, d’où le 5 sur l’armure. Le chiffrage de la mesure comporte également un dénominateur égal à 4 […]